From intimate observation into public gesture

My contemporary work explores the fragile architectures of connection — how we appear, relate, and sometimes disappear within social space. Through public interventions, participatory acts, and quiet performances, I examine intimacy, absence, and shared presence as materials in themselves

Letters to the self, through coulour shape and form, records of space, closeness and loss

The drawings begin as quiet conversations with absence. Faces, half-formed or dissolving, become carriers of narrative and emotion — fragments of stories that surface through colour and erasure. Between the layers, messages appear and fade, written in the spaces where words lose their meaning. Each work stands as a trace of connection, an unfinished letter to those who once stood close.

Pattern as language — repetition as a way to remember and renew.

My design practice centres on textile print and repeat pattern as forms of visual language. I explore how texture, rhythm, and colour can carry meaning beyond surface — at times bright, even conversational, with an element of quiet provocation. Alongside studio work, I have developed woodblock and stamp-based processes and organised workshops that invite people to redesign and extend the life of garments through upcycling. For me, sustainability is not limited to carbon footprint; it also speaks to attention, continuity, and the ability to care for what already exists.

Accidents of light - coincidences and quiet alignements

Photography, for me, is a form of collecting — a habit of noticing. I gather textures, plants, small accidents and strange coincidences; fragments where nature carries a trace of the human. Often macro mingles with ordinary distance, two or three frames forming a collage where a quiet, unexplainable story takes shape.